Wednesday, July 04, 2007
PAGES Exhibition in London - Day Two...
Wirxli Flimflam - "SLippery SLope" (2007) [Video/Audio Excerpt]
"SLippery SLope" (2007) composed for the Avatar Orchestra Metaverse by Wirxli Flimflam. DeThomas Dibou was the architect for this site-specific composition. This is a salvaged excerpt from the in-world premiere which combines the video archive from DannyDarko Raymaker with the audio recording from Miulew Takahe. This video is not in sync with the audio and is not an accurate portrayal of what avatars witnessed live. If you cannot see this embedded video excerpt, please click here.
***UPDATE FROM THE NEAR FUTURE - SPINSTER VOOM HAS BLOGGED THIS EVENT...AND HAS ALSO PROVIDED ADDITIONAL DETAILS ABOUT THIS EVENT***
**ANOTHER UPDATE FROM THE NEAR FUTURE - MIULEW TAKAHE FROM THE AVATAR ORCHESTRA METAVERSE HAS ALSO BLOGGED THIS EVENT***
Hey there performance art and new muzak fans,
Finally, I have posted some salvaged archives from Saturday's performance event that was part of Spinster's PAGES (PgUp) exhibition in London.
Anyways, it took me forever to post the above video with the Avatar Orchestra Metaverse. Saturday was really stressful in that I was scrambling to find someone to video-document my premiere of "SLippery SLope". Fortunately, DannyDarko Raymaker was able to record the video component and then I just need to find someone with audio. Miulew Takahe had a very live and raw recording from his avatar's perspective (yes, the composition is very subjective and spatial) so I mixed in his audio archive with Danny's video excerpt and what we have as a result is a very confusing and non-synced video...but hey, it is better than nothing and I am extremely grateful to Miulew and Danny for helping me to document my transient composition. I was going to re-perform it just for a machinima muzak video but I found that DeThomas Dibou had already de-installed the SLopes from Virtual Haidplatz on Odyssey Island...sigh! Oh well..I can always compose a new piece and ensure that it can be re-performed over and over...
Ok, some of you are wondering what the whole concept is behind my composition.
Well, I already summarized in an earlier posting so if you just click on this link here and scroll about half-way down, you will see my official PR paragraph about this composition.
However, I think it is about time I displayed for you in fine print exactly what my official notecard score for the composition looked like...
This might not make much sense to you as a reader but thankfully, it made sense to the members of the Orchestra...phew! The text you are about to read below was actually not as daunting as it first appears. For starters, I guided them through the spatial aspects of the composition a couple of times throughout our scheduled rehearsal times. In addition, I ensured that the score was seperated into a "HUDer" score and a "Classicist" score so the performer only needed to focus on their unique role within this very spatial and SLope-specific composition...
Ok...here is my full conductor's score:
"SLippery SLope". Full Conductor's Score by Wirxli Flimflam, 2007
There are 3 different coloured SLopes designed by the Architect, DeThomas Dibou: Blue, pink and purple.
There are two unique roles in this composition that an orchestra player can choose:
CLASSICISTS wear and play a scripted pitched instrument (eg. cello or flute)
HUDers wear 2 HUDs made by Bingo (performance HUD and Info-Receiver HUD)
If you fall off any SLope:
CLASSICISTS = Play c-b-bflat over and over in loop while returning to the 1st blue SLope (or after 5 minutes of performing, returning to the SLope you fell off of).
HUDers = Everytime you recognize one of the 3 colours on the clothes or hair of an audience avatar, play a button that corresponds to that colour (blue, purple, pink) while returning to ascend the Blue SLope. (or after 5 minutes of performing, returning to the SLope you fell off of).
Note: Wirxli will play both the role of the HUDer and the CLASSICIST and will do some improv soloing while climbing the SLopes.
Blue SLope (top buttons in HUD)
CLASSICISTS = Play b-flat drone on scripted instrument (ex. cello)
HUDers = play from the blue buttons on the HUD if you see these Regensburg landmarks while on the SLope:
a) Wolf Lesen und Lernen
b) wittl musik
c) any avatar in the audience that is wearing blue...
Pink SLope (middle buttons in HUD):
CLASSICISTS = Play b drone on scripted instrument
HUDers = play from the pink buttons on the HUD if you see these Regensburg landmarks while on the SLope:
a) Wolf Lesen and Lernen
b) Reise Studi/Haifplatz
c) Rossini cafe bar and restaurant
d) Any avatar in the audience wearing pink
Purple SLope (bottom buttons in HUD):
CLASSICISTS = Play c drone on scripted instrument.
HUDers = play from the purple buttons on the HUD if you see these Regensburg landmarks while on the SLope:
a) Avastar Vending machine
d) Any avatar in the audience wearing purple.
The piece is complete once every CLASSICIST and HUDer have successfully climbed across all 3 SLopes without falling.
Ok, there you go....that was the score...not too difficult to follow, right? ;-)
Well, here was the one pic I took of the premiere...
Yes, it is true...this is my only photo from my composition's premiere. I was too busy performing and conducting the performers of the Avatar Orchestra Metaverse...sigh! You can see that I am acting as both a "HUDer" and a "Classcist" for my role as I have Bingo's HUD interface and the Hypercello's keyboard interface on my screen which was designed by Robbie Dingo. If you have any other photos of my compositional premiere, please email them to me at firstname.lastname@example.org
The second in-world premiere to be featured on saturday was "Fragula" by Miulew Takahe. It is quite a fun and dynamic piece as you can probably tell by my theatrical and gymnastical backflips. I consider Fragula to be the most frenzied composed for the orchestra so far. I have since nicknamed it "Count Fragula". I was seriously fragged that morning so I was pleased to let all my aesthetic frustrations out. Here is the official audio recording from our performance of Takahe's Fragula.
Here was what happened earlier on in the day...
Earlier in the day, I collaborated with my adopted daughter Fwwixli Swindlehurst for our very first public performance together called "Ageplay Performance Residue #1". You can read all about it on our collaborative blog and on the curator Spinster Voom's blog.